Located at Trilith Studios, I executed the designs to build out the motion capture volume for camera tracking. Over a year and half, the team and I worked on projects like Francis Ford Coppola's Megalopolis, and others using 91 Vicon vantage V16's.
I was in charge of aiming and calibrating the stage to align with precision in real-time with Unreal and rendered on the wall. The videos below is an example of parallaxing with the camera tracking system.
More to come soon! Click here for more.
