Located at Trilith Studios, I executed the designs to build out the motion capture volume for camera tracking. Over a year and half, the team and I worked on projects like Francis Ford Coppola's Megalopolis, and others using 91 Vicon vantage V16's.
I was in charge of aiming and calibrating the stage to align with precision in real-time with Unreal and rendered on the wall. The videos below is an example of parallaxing with the camera tracking system.
![](https://cdn.myportfolio.com/533c6078f03dfbc819ef1942ff8196a5/921dde50-61e4-4b4a-8519-277b40c755a9_rw_1920.jpg?h=87bf3f53d8e905163581f6bc8fb8808a)
![](https://cdn.myportfolio.com/533c6078f03dfbc819ef1942ff8196a5/924f83b0-586c-40f3-889a-9631e06a229e_rw_1200.png?h=0d80c1a8860c1bc02dec09b60fc9ecad)
![](https://cdn.myportfolio.com/533c6078f03dfbc819ef1942ff8196a5/bcbbbf6c-9a38-4c0f-ab75-8e612ba43345_rw_1920.jpg?h=9ebc272309f662a215559f5062015414)
![](https://cdn.myportfolio.com/533c6078f03dfbc819ef1942ff8196a5/bf4440e9-ba11-4b33-a15d-8444dada70a9_rw_1920.jpg?h=d84f62752bf1df8d9a66de7c952fb238)
![](https://cdn.myportfolio.com/533c6078f03dfbc819ef1942ff8196a5/de3b4816-eab9-441d-b3cb-e4836fe67853_rw_1920.jpg?h=0a2a891552168a8fbd0438389073e2f5)
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